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Marina and the Diamonds the Family Jewels Photoshoot

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2010 studio album by Marina and the Diamonds

The Family Jewels
The face of a young brunette woman, lying sideways on a floral patterned background. In the top left corner of the image, the words "Marina and the Diamonds" and "The Family Jewels" are placed.
Studio album past

Marina and the Diamonds
Released xv Feb 2010 (2010-02-fifteen)
Recorded 2007–2009
Studio
  • The Ivory Belfry[a]
  • Konk, London[b]
  • Biffco, Brighton[c]
  • Xi, London[d]
  • Sarm two, London[e]
  • Kingsize Soundlabs, Los Angeles[f]
Genre
  • Culling pop
  • bubblegum-punk
  • electropop
  • synth-pop
Length 45:35
Label
  • 679
  • Atlantic
Producer
  • Marina Diamandis
  • Pascal Gabriel
  • Liam Howe
  • Ash Howes
  • Greg Kurstin
  • Richard "Biff" Stannard
  • Starsmith
Marina and the Diamonds chronology
The Crown Jewels EP
(2009) 		The Family Jewels
(2010) 		Electra Heart
(2012)
Singles from The Family unit Jewels
  1. "Obsessions"
    Released: 14 February 2009
  2. "Mowgli'southward Road"
    Released: 13 November 2009
  3. "Hollywood"
    Released: i February 2010
  4. "I Am Not a Robot"
    Released: 23 April 2010
  5. "Oh No!"
    Released: 2 August 2010
  6. "Shampain"
    Released: 11 October 2010

The Family unit Jewels is the debut studio album past Welsh singer Marina Diamandis, released under the stage proper name Marina and the Diamonds. Information technology was released on fifteen February 2010 by 679 Recordings and Atlantic Records. Diamandis collaborated with several producers including Pascal Gabriel, Liam Howe, Greg Kurstin, Richard "Biff" Stannard, and Starsmith during its recording. She identifies the lyrical themes every bit "the seduction of commercialism, modern social values, family, and female person sexuality."[1]

Gimmicky music critics gave The Family Jewels fairly positive reviews, with the vocal commitment dividing opinions. The record debuted at number v on the United kingdom of great britain and northern ireland Albums Chart with commencement-calendar week sales of 27,618 copies. The album was eventually certified Gold past the British Phonographic Industry (BPI) and has sold 195,358 units in the United Kingdom. The Family unit Jewels performed moderately on international record charts; information technology peaked at number 138 on the Billboard 200 in the United states, selling 4,000 copies its commencement week.

The Family Jewels was supported by 5 singles, all of which were supplemented by accompanying music videos. "Mowgli's Road" was released on thirteen November 2009, although "Hollywood" became its showtime charting track later on reaching number 12 on the Uk Singles Chart. Follow-up singles "I Am Not a Robot", "Oh No!" and "Shampain" respectively peaked at numbers 26, 38, and 141 in the United Kingdom. The tape was additionally promoted past Diamandis' headlining The Family Jewels Tour, which visited Australia, Europe and North America from January 2010 through December 2011.

Groundwork [edit]

Built-in and raised in South Eastward Wales, Diamandis moved to London at the age of 18 to study music, despite not having a musical background. Later on dropping out of iv institutions and declining in auditions, she began composing her own music.[ii] Afterward the success of her Myspace-released EP Mermaid vs. Sailor in 2007, she was signed by Neon Golden Records the following twelvemonth and by 679 Artists in October 2008.[iii] In 2009, subsequently playing at a variety of festivals including Glastonbury in the summer,[4] she ranked in 2nd place in the BBC's Audio of 2010[5] and was ane of the three nominees for the Critics' Pick Award at the 2010 Brit Awards.[6] In a 2012 interview with Betwixt the Lines, Diamandis said that the anthology'due south title came from a slang term for testes, but she had been too coy to admit it earlier.[7]

Limerick [edit]

The Family Jewels is mainly an alt-pop,[8] bubblegum-punk,[9] electropop,[x] and synth-pop tape[eleven] with influences of 1980s trip the light fantastic music and late-1990s female person rock.[12] Diamandis explained that the album is "a body of piece of work largely inspired past the seduction of commercialism, modern social values, family unit and female sexuality", intended to exist "enjoyed and consumed as a story and theory that encourages people to question themselves".[1]

"I think information technology'due south a really diverse album stylistically speaking because I'm such a flexible writer. So there'south a lot of pop on it, only in that location's kind of a lot of leftfield experimental stuff every bit well. It's basically an anthology nigh what non to exist."

— Diamandis explaining the anthology's musical style to Clash, January 2010[thirteen]

In a review for Q, author Hugh Montgomery noted genres such as disco ("Shampain"), bubblegum punk ("Girls") and cabaret ("Hermit the Frog").[14] The opening rail, "Are You Satisfied?", ponders the meaning of a fulfilling life; a author for The Line of All-time Fit likened it to the thinking of Danish existentialist philosopher Søren Kierkegaard.[xv] In a January 2010 interview with The Daily Telegraph, Diamandis admitted that she "cringes" at the lyrics of the song "Girls", which "could exist seen as a scrap misogynistic", including the lines "Girls they never befriend me/'Cause I autumn asleep when they speak/Of all the calories they swallow"; she clarified that the lyrics concerned her own psychological problems with weight.[ii] A Neon Aureate press release for a limited double A-side of "Obsessions" and "Mowgli's Route" described the former as a "bold and ambitious ... primary work" and the latter every bit a "a high intensity, left field pop smash".[16]

Diamandis claimed that she made producer Liam Howe take 486 song takes for "The Outsider".[17] [18] "Hollywood" takes inspiration from Diamandis' previous obsession with American glory culture,[five] while in "I Am Non a Robot", her favourite track from the album, she sings to tell herself to accept imperfection, with lines such equally "you've been acting awful tough lately, smoking a lot of cigarettes lately ... don't be so pathetic"; she expected audiences to be able to relate to the vocal.[19] "Numb" is an orchestral popular song that reflects on the dedication and cede needed during her early years in London;[20] [2] "Oh No!" and "Are You Satisfied?" have similar lyrical themes.[21] "Oh No!" was a late addition to the track listing, causing some reviews of the anthology to non include information technology.[17] The album had initially been scheduled for release in October 2009, and was delayed by Diamandis' self-confessed perfectionism.[22]

Release and promotion [edit]

Music videos [edit]

In 2008, Diamandis filmed videos for the tracks "Seventeen" and "Obsessions".[23] The following year, photographer Rankin directed the accompaniment for "I Am Not a Robot", which used much trunk glitter.[24] [25] The video for "Mowgli's Road" featured Diamandis and two dancers, with puppeteers standing in forepart of them to give them the impression of having concertina limbs; it was shot over 17 hours.[22] Smoothen artist Kinga Burza shot the "classic pop video" for "Hollywood", with the aim to "brand her audiences fall in love her fifty-fifty more, possibly crave a fiddling popcorn and experience inspired to dress up for fun".[26] Burza too filmed the video for "Oh No!", with an aesthetic based on "zany neon" MTV graphics and the fame-hungry lyrics.[27] The video to "Shampain" fabricated an homage to Michael Jackson's Thriller.[24] Dan Knight made a video for Chilly Gonzales' "stripped-down" remix of "Hollywood" that was intended to exist the opposite of Burza's official video. In the video, Gonzales and Diamandis perform on a 1980s Estonian music show complete with subtitles.[28]

Singles [edit]

"Obsessions" was Diamandis' first single, released on xiv February 2009,[16] and "Mowgli's Road" followed on xiii November 2009.[29] She chose the song as an "uncommercial" taster due to its oddness, but it received attention after being shared by the likes of Perez Hilton and Kanye West.[30]

"Hollywood" was released as the album's second single and Diamandis' starting time major release on ane February 2010.[one] Information technology reached number 12 on the U.k. Singles Chart.[31] It was followed on 26 April by "I Am Not a Robot", which peaked at number 26 on the same listing.[31] "Oh No!" was released equally the anthology's fourth single on 2 August merely in the United kingdom and Ireland; it charted at number 38.[31] "Shampain" was released every bit the album'south 5th and final single on 11 Oct, once again merely in the aforementioned region,[32] and reached number 141 in the Great britain.[33] "I Am Not a Robot" was nominated for the 2010 Popjustice £twenty Music Prize for all-time British unmarried, eventually losing to "Kickstarts" by Example.[34]

Tour [edit]

Diamandis went on her first headlining tour to promote the anthology, performing in Europe, North America and Australia. Dates included the Glastonbury Festival 2010, S by Southwest and the Falls Festival. In parallel to headlining her own bout in the United States in mid-2011, she was an opening act for Katy Perry's California Dreams Tour,[35] and finished by opening for Coldplay's Mylo Xyloto Bout at the Manchester Arena that December.[36] After a functioning at Manchester's Deafened Constitute on 21 February 2010, Contactmusic.com writer Katy Ratican awarded Diamandis a 9/ten rating, stating, "Next time she plays Manchester, it volition exist to a sold out Academy 2 audition, with a top-selling album gracing the merchandising stand. Marina won't exist playing to a few hundred people higher up a trendy bar in the foreseeable future".[37]

Critical reception [edit]

Professional person ratings
Aggregate scores
Source Rating
AnyDecentMusic? vi.8/10[46]
Metacritic 68/100[38]
Review scores
Source Rating
AllMusic [12]
The A.V. Club C[39]
Clash 6/10[40]
The Daily Telegraph [41]
Drowned in Sound 5/ten[42]
The Guardian [43]
NME 9/ten[17]
Q [14]
Spin 7/10[44]
The Sun Times [45]

The Family Jewels received generally positive reviews from music critics. At Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream publications, the album received an boilerplate score of 68, based on 21 reviews.[38] Hugh Montgomery of Q mag noted that the singer'south "imaginative reach" was "complemented by a winning pop savviness",[14] while Luke O'Neil from The Phoenix stated that "[t]he likes of Kate Nash and company have flitted through this piano siren/exuberant dance-diva territory, just never mind, because this gorgeous genre starts now."[47] Leonie Cooper of NME praised the album as "astonishing" and wrote that "Diamandis mixes sparkling pop with beautiful darkness for a debut that dazzles".[17]

More than mixed reviews were critical of Diamandis' vocal delivery. Lou Thomas from BBC Music commented that "over 13 songs of Sparks-voice and many similar staccato pianoforte riffs listeners may feel bludgeoned",[21] and Sean O'Neal of The A.V. Gild wrote that after "dozens of squeaky Regina Spektor-ish enunciations" and "Kate Bush trills", the "overbearing need to prove herself just ends up being exhausting".[39] Joe Rivers of No Ripcord praised "Are You Satisfied?", "Hollywood" and "Oh No!" but was put off past sudden "howling" in "Hermit the Frog" and a "throaty growl" in "The Outsider".[48] Joe Copplestone of PopMatters concluded that Diamandis would have to "tone down" these song techniques on futurity releases equally not to overshadow "melodically inventive" music.[49]

A negative review came from The Independent 's Andy Gill who panned "Shampain" and "Hermit the Frog" as "every bit as annoying as their punning titles, with queasy, prancing piano and synth figures". He establish certain vocal techniques in "Mowgli's Road" and "I Am Not a Robot" to exist "infantile", and evaluated the lyrics of "Girls" and "Hollywood" every bit shallow.[50] At Drowned in Sound, Mary Bellamy described the album as separate between original songwriting and commercial pop production "at the expense of achieving anything peachy in either camp".[42] NME placed the anthology at number 33 on its list of the Top 75 Albums of 2010.[51]

Commercial performance [edit]

The Family unit Jewels debuted at number v on the UK Albums Chart with start-calendar week sales of 27,618 copies.[52] It remains Diamandis' best-selling debut calendar week in the Britain, after her second studio album Electra Heart entered the chart at number one with first-week sales of 21,358 units.[53] It ranked at number 87 in the Official Charts Company'due south list of the highest selling albums of 2010 in the UK.[54] The Family Jewels was later certified Golden past the British Phonographic Manufacture (BPI),[55] and had sold 195,358 copies in the United Kingdom as of April 2015.[56] The tape debuted at number seven in Greece and number nine in Ireland;[57] [58] it was eventually certified Aureate by the Irish Recorded Music Clan (IRMA).[59]

The Family unit Jewels performed moderately on several international record charts. It reached number 12 in Germany,[60] and entered the Austrian chart at number 18.[61] Information technology peaked at number 88 in the Netherlands,[62] number 100 in Switzerland,[63] and number 132 in France.[64] In Oceania, the album reached number 79 in Australia.[65] With beginning-week sales of 4,000 copies in the Usa, The Family Jewels entered the Billboard 200 at number 138,[66] while peaking at numbers ii and 49 on Billboard 's Pinnacle Heatseekers and Top Rock Albums charts, respectively.[67] [68] As of 2012, The Family unit Jewels had sold 300,000 copies worldwide.[69]

In an interview for Australian radio in January 2011, Diamandis said that her career that far had been "more than similar a failure than a success", particularly in the American market. She attributed this to the inaction of Chop Store Records, her label in the United States, as well as a move in musical tastes to "pumping beats" by artists like Lady Gaga. She cancelled performances in the U.s.a. in order to begin work on a new album.[70]

Track listing [edit]

All tracks are written past Marina Diamandis except where noted.

No. Championship Writer(s) Producer(s) Length
one. "Are You lot Satisfied?"
  • Liam Howe
  • Richard "Biff" Stannard
  • Ash Howes
 three:21
ii. "Shampain"
  • Diamandis
  • Howe
  • Pascal Gabriel
  • Gabriel
  • Howe
  • Stannard[a]
  • Howes[a]
three:11
3. "I Am Not a Robot" Howe 3:35
4. "Girls"
  • Diamandis
  • Howe
  • Gabriel
  • Gabriel
  • Howe
 3:28
5. "Mowgli'southward Route"
  • Diamandis
  • Howe
 Howe 3:12
vi. "Obsessions" Howe 3:38
7. "Hollywood"
  • Stannard
  • Howes
  • Starsmith[b]
3:l
8. "The Outsider"
  • Howe
  • Diamandis
 3:17
9. "Hermit the Frog"
  • Howe
  • Diamandis[a]
iii:35
x. "Oh No!"
  • Diamandis
  • Greg Kurstin
 Kurstin 3:02
xi. "Rootless"
  • Diamandis
  • Howe
  • Gabriel
  • Gabriel
  • Howe
 three:28
12. "Numb" Howe iv:xvi
13. "Guilty"
  • Diamandis
  • Stannard
  • Howes
  • Stannard
  • Howes
 3:xl
Full length: 45:35
iTunes Store bonus track[71]
No. Title Producer(s) Length
14. "The Family Jewels" Diamandis 4:05
Japanese edition bonus tracks[72]
No. Championship Producer(s) Length
14. "The Family Jewels" Diamandis 4:05
15. "Seventeen" Howe three:05
xvi. "Mowgli'due south Road" (video) iii:02
17. "Hollywood" (video) three:25
US standard edition[73]
No. Championship Writer(s) Producer(due south) Length
7. "Hollywood" (unmarried version)
  • Stannard
  • Howes
  • Starsmith[b]
3:24
eight. "The Outsider"
  • Howe
  • Diamandis
 3:17
9. "Guilty"
  • Diamandis
  • Stannard
  • Howes
  • Stannard
  • Howes
 three:40
10. "Hermit the Frog"
  • Howe
  • Diamandis[a]
3:35
eleven. "Oh No!"
  • Diamandis
  • Kurstin
 Kurstin 3:02
12. "Seventeen" Howe 3:05
thirteen. "Numb" Howe four:16
iTunes Shop United states of america deluxe edition bonus tracks[74]
No. Title Writer(s) Producer(s) Length
14. "Rootless"
  • Diamandis
  • Howe
  • Gabriel
  • Diamandis
  • Gabriel
  • Howe
 iii:28
15. "I Am Not a Robot" ((Flex'd Rework) (Passion Pit Remix))
  • Howe
  • Passion Pit[c]
4:47
sixteen. "Obsessions" (Ocelot Remix)
  • Howe
  • Ocelot[c]
6:26
17. "I Am Not a Robot" (Starsmith 24 Carat Remix)
  • Howe
  • Starsmith[c]
5:xviii
xviii. "Hollywood" (video) 3:25
2021 digital deluxe edition bonus tracks[75]
No. Title Writer(s) Producer(s) Length
xiv. "Rootless"
  • Diamandis
  • Howe
  • Gabriel
  • Diamandis
  • Gabriel
  • Howe
 three:28
15. "The Family unit Jewels" Diamandis 4:05
xvi. "Hollywood" (Gonzales Remix)
  • Stannard
  • Howes
  • Starsmith
  • Gonzales[c]
3:43
17. "Obsessions" (Ocelot Remix)
  • Howe
  • Ocelot[c]
6:26
eighteen. "I Am Not a Robot" ((Flex'd Rework) (Passion Pit Remix))
  • Howe
  • Passion Pit[c]
4:47
xix. "I Am Not a Robot" (Starsmith 24 Carat Remix)
  • Howe
  • Starsmith[c]
5:18
20. "I Am Non a Robot" (The Shoes - No Shoes Remix)
  • Howe
  • The Shoes[c]
4:02

Notes

  • ^a signifies an additional producer
  • ^b signifies an original producer
  • ^c signifies a remixer

Personnel [edit]

Credits adapted from the liner notes of The Family Jewels.[76]

Musicians [edit]

  • Marina Diamandis – vocals (all tracks); pianoforte (tracks 1–3, 6, viii, 12), glockenspiel (track 3); Casio VL-tone (track eight); organ (rail 12)
  • Richard "Biff" Stannard – keys (track 1); programming (tracks i, two, 7, thirteen); additional keys (track 2); all instruments (tracks 7, thirteen); drums (rails vii)
  • Ash Howes – keys (rail 1); programming (tracks ane, 2, 7, 13); additional keys (track 2); all instruments (tracks 7, xiii)
  • Luke Potashnick – guitar (track 1)
  • Lucy Shaw – string arrangements, double bass (tracks 1, 3, 7, 9, 12, 13)
  • Liam Howe – programming (tracks 1–3, 5, 6, 8, 9, 12); bass (tracks ane, 2, 5, 6); Mellotron (tracks 1, 3, half dozen, 9, 12); synths (tracks 1–iii, half-dozen, 8); electric guitar, additional piano (track two); Philicorda (track 3, five, half dozen, eight, ix, 12); all instruments (tracks iv, xi); spoons, whistle, glockenspiel, acoustic guitar (track v); Jew'due south harp, santoor (rails viii); mandolin, recorders (tracks 9, 12)
  • Alison Dods – violin (tracks 1, 3, seven, 13)
  • Calina de la Mere – violin (tracks 1, 3)
  • Rachel Robson – viola (tracks ane, 3)
  • Chris Allan – cello (tracks ane, 3)
  • Steve Durham – drums (tracks 1–3)
  • Pascal Gabriel – programming (tracks 2, 4, 11); synths (track 2); all instruments (tracks four, xi)
  • Alex Mackenzie – harpsichord, drums (tracks 5, six); additional pianoforte, mandolin (track 6)
  • Raymond67 (Freesound Project) – mechanical monkey (track v)
  • Sandyrb (Freesound Project) – human monkey (runway 5)
  • Stephen Big – string arrangements (tracks 7, 13); piano (tracks 9, 12); Hammond (rail 12)
  • Niel Catchpole – violin (tracks 7, xiii)
  • Oli Langford – viola (tracks 7, 9, 12, 13); violin (tracks vii, xiii)
  • Anna Mowat – cello (tracks 7, 13)
  • Anna Phoebe – violin (tracks 9, 12)
  • Rebekah Allan – violin (tracks 9, 12)
  • Chris Worsey – cello (tracks 9, 12)
  • David Westlake – drums (runway 9)
  • Greg Kurstin – keys, guitars, programming (track 10)

Technical [edit]

  • Liam Howe – production (tracks one–6, 8, ix, eleven, 12); mixing (track 3, v, vi, viii, 9, 12); engineering (tracks five, six, viii)
  • Richard "Biff" Stannard – production (tracks 1, 7, 13); additional production (track two); mixing (tracks 2, 7, thirteen)
  • Ash Howes – production (tracks 1, 7, 13); mixing (tracks 1, 2, 7, xiii); boosted production (track 2)
  • Richard Wilkinson – technology (tracks 1–3, 9, 12)
  • Dougal Lott – engineering assistance (tracks 1–3, 9, 12); Pro Tools (rail 5)
  • Pascal Gabriel – production (tracks 2, four, 11); engineering, mixing (tracks four, 11)
  • Marina Diamandis – mixing (tracks four, 11); production (track 8); additional product (rails ix)
  • Starsmith – original production (runway 7)
  • Greg Kurstin – production, recording, mixing (track 10)
  • Guy Davie – mastering (tracks one–ix, 11–thirteen)
  • Dave Turner – mastering (track 10)

Artwork [edit]

  • Mat Maitland – sleeve art
  • Rankin – portraits

Charts [edit]

Certifications and sales [edit]

Release history [edit]

Notes [edit]

  1. ^ Tracks 1–3, 5, six, 8, 9 and 12
  2. ^ Tracks one–three, five, vi, ix and 12
  3. ^ Tracks 1, two, 7 and xiii
  4. ^ Tracks iv and 11
  5. ^ Tracks 7 and 13
  6. ^ Track 10

References [edit]

  1. ^ a b c "Marina and the Diamonds denote debut album details and release date". NME. 1 December 2009. Retrieved 9 September 2015.
  2. ^ a b c Diu, Nisha Lilia (20 January 2011). "'I'm Marina, You're the Diamonds'". The Daily Telegraph . Retrieved 30 June 2015.
  3. ^ Fulton, Rick (12 February 2010). "I once played to seven people in Aberdeen but things have got ameliorate, says music newcomer Marina Diamandis". Daily Tape . Retrieved 27 April 2014.
  4. ^ "Marina and the Diamonds: 'I almost strangled myself at Glastonbury'". NME. 29 June 2009. Retrieved 27 April 2014.
  5. ^ a b Cruel, Marker (7 January 2010). "BBC Sound of 2010: Marina and the Diamonds". BBC News . Retrieved 27 Apr 2014.
  6. ^ "Ellie Goulding wins Brit Awards 2010 Critics' Choice prize". Metro. ix December 2009. Retrieved xv January 2016.
  7. ^ Azzopardi, Chris (19 July 2012). "Marina and the Diamonds On Nervous Breakdown, Gay Following & Being 1 of the 'Greats'". Between the Lines . Retrieved 25 March 2018.
  8. ^ Rogers, Toby (31 March 2010). "Best of What's Side by side: Marina & The Diamonds". Paste. Archived from the original on five April 2019. Retrieved 21 December 2018.
  9. ^ Watkins, Annaliese (24 November 2015). "Review: Marina and the Diamonds @ The Ritz, Manchester". Manchester Evening News . Retrieved 4 June 2021.
  10. ^ Nolan, Paul (23 February 2010). "The Family unit Jewels". Hot Press. Archived from the original on 13 August 2017. Retrieved 23 Feb 2022.
  11. ^ Hirsh, Marc (24 May 2010). "Marina and the Diamonds, 'The Family Jewels'". Boston.com . Retrieved three June 2021.
  12. ^ a b Chisling, Matthew. "The Family Jewels – Marina and the Diamonds". AllMusic . Retrieved 28 February 2014.
  13. ^ Murray, Robin (26 January 2010). "Marina on Musical Groundwork". Clash . Retrieved 19 February 2010.
  14. ^ a b c Montgomery, Hugh (March 2010). "Marina & the Diamonds – The Family Jewels". Q. No. 284. p. 105. ISSN 0955-4955.
  15. ^ Mean solar day, Laurence (ii January 2015). "Marina & The Diamonds shares new track "Immortal"". The Line of Best Fit . Retrieved 21 May 2016.
  16. ^ a b "Obsessions / Mowgli's Road seven". Neon Gold Records. Archived from the original on 20 Jan 2009. Retrieved 27 April 2014.
  17. ^ a b c d Cooper, Leonie (22 Feb 2010). "Anthology review: Marina And The Diamonds – 'The Family unit Jewels' (679)". NME. Archived from the original on 25 May 2013. Retrieved 27 February 2010.
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  25. ^ "Video: Marina and the Diamonds – I Am Not A Robot". Nialler9 . Retrieved 12 May 2016.
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  28. ^ Chocolate-brown, Dan (10 February 2010). "Marina & The Diamonds' Hollywood Viral (feat. Gonzales) by Dan Knight". Promo News. Archived from the original on 28 August 2018. Retrieved 12 May 2016.
  29. ^ "Mowgli'southward Route / Space and the Woods – Single past Marina & The Diamonds". iTunes Store. Britain. Retrieved 21 February 2010.
  30. ^ Salmon, Chris (12 November 2009). "Marina Diamandis: shine on you crazy diamond". The Guardian . Retrieved 28 April 2014.
  31. ^ a b c "Marina and the Diamonds". Official Charts Company. Retrieved 25 March 2018.
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  35. ^ Dinh, James (20 Jan 2011). "Katy Perry announces California Dreams Bout dates". MTV News. Retrieved 21 May 2016.
  36. ^ "Coldplay in Manchester". Large Alive Acts. 4 Dec 2011. Archived from the original on x June 2016. Retrieved 21 May 2016.
  37. ^ Ratican, Katy (23 Feb 2010). "Marina and the Diamonds – The Deaf Institute, Manchester, Sunday 21/02/2010 Alive Review". Contactmusic.com . Retrieved 12 May 2016.
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  42. ^ a b Bellamy, Mary (fifteen Feb 2018). "The Family Jewels". Drowned in Sound. Archived from the original on 18 January 2012. Retrieved 28 September 2018.
  43. ^ Petridis, Alexis (xviii February 2010). "Marina and the Diamonds: The Family Jewels". The Guardian . Retrieved 28 February 2014.
  44. ^ Walters, Barry (19 May 2010). "Marina & the Diamonds, 'The Family Jewels' (Chop Store/Atlantic)". Spin. Archived from the original on 17 June 2011. Retrieved 28 April 2012.
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